Arashk Azizi

The Neoclassical Propaganda by Keou ISSABRE

The Neoclassical Propaganda by Keou ISSABRE

“The Neoclassical Propaganda” by Keou ISSABRE is a classical album featuring six marvelous pieces for piano, violin, and clarinet, accompanied by other orchestral instruments. This emotionally expressive album is full of dynamic contrasts and interesting orchestration techniques. Keou ISSABRE originally composed the pieces on piano and later orchestrated them for the trio and orchestra. The

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Conducting My Symphonic Anxiety by Jimmy Verace

Conducting My Symphonic Anxiety by Jimmy Verace

“Conducting My Symphonic Anxiety” by Jimmy Verace is a symphonic piece in six parts, composed for a full orchestra. The music is intensely dramatic, progressing through a wide range of dynamics. With its epic-sounding orchestration, the album constantly conveys a struggle—a never-ending battle between darkness and light. The album opens with the grand and epic

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"Ribbon Blue" by Xenia At

Ribbon Blue by Xenia At

“Ribbon Blue” by Xenia At is a contemporary, mind-bending album, a collection of sound design, composition, synths and modulators, and hazy but brilliant vocals. The album consists of four vocal pieces and one instrumental piece, each of which touches the borders of musical anarchy. From contemporary classical, minimalism, and post industrialism to ambient, all have

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Edward McCormack's "Daley: Olympic Superstar"

Daley: Olympic Superstar by Edward McCormack

Edward McCormack‘s “Daley: Olympic Superstar,” the soundtrack to the BBC2 documentary of the same name directed by Vadim Jean, is a complex and expansive classical music album. It creatively combines orchestral grandeur with electronic sounds and synths, underscoring the documentary’s exploration of the Olympian journey of Daley Thompson. Music as the soundtrack: In the realm

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“True” by Pierre Flasse

True by Pierre Flasse

“True” by Pierre Flasse is an instrumental EP album, with the trombone playing the central role in each piece. The music in “True” is in a crossover classical style with strong influences from jazz and contemporary music. What makes “True” truly incredible is the masterful and flawless performance of the solo trombone by Pierre Flasse,

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