Just for Kicks is a collection of wordless poetry brought to life by Adam Edgemont and his electric guitar. From the very first note, it’s clear that Edgemont possesses a profound mastery of his instrument, using it to sing melodies that need no words. This six-piece jazz fusion EP showcases not only exceptional musicianship but also a deep respect for melody and groove. Edgemont achieves a rare balance: the technical brilliance is undeniable, yet never overindulgent.
The album brings to mind the artistry of guitar legends like Steve Vai, Joe Satriani, and Yngwie Malmsteen, yet it remains distinctly original. Each track feels like a chapter in a story, delivered with precision, emotion, and a refusal to be bound by clichés. It’s a celebration of the electric guitar’s potential, but it’s also much more than that—a dynamic and thoughtful collection that feels cohesive yet unpredictable.
The journey begins with “With the Flow,” a rhythmically rich piece that embraces syncopation and fluid shifts. The interplay between the solo guitar and the ever-evolving rhythm section is hypnotic, creating a mood that’s both playful and reflective. This track sets the tone for the album, introducing the listener to Edgemont’s intuitive ability to craft melodies that linger long after the song ends.
“Sanguine” shifts gears, leaning into a rock-driven atmosphere. The guitar melodies here, with their expressive bends and dynamic phrasing, evoke raw emotion while staying grounded in a strong rhythmic foundation. This track feels alive and pulsating, a perfect follow-up to the opener.
Next is “How Did You Get This Number?” which takes the rock elements of the previous track and dials them up a notch. Edgemont delivers a harder, more aggressive energy while maintaining his characteristic melodic sensibility. It’s an electrifying track that bridges the EP’s stylistic exploration.
The emotional centerpiece of the album is “Nostalgic Gesture.” This song is pure poetry in motion—a delicate, heartfelt piece that showcases Edgemont’s nuanced control over his instrument. The guitar speaks here, whispering and shouting its story through intricate techniques that feel effortless in his hands.
Then comes “Tumultuous Bliss,” a masterpiece of progression and contrast. The piece evolves dramatically: it begins with soft arpeggios and a dark, brooding harmonic foundation before transforming into a heavy, driving rhythm. The solos here are jaw-dropping in their technical complexity and emotional weight. Just when you think you’ve grasped its essence, the song surprises with a bright, upbeat jazz section, only to close with a complex, unresolved rhythm that seamlessly leads into the final track.
“Velvet City” wraps up the album with sophistication and flair. It leans heavily into jazz fusion with an expansive intro and an incredible solo that feels like a fitting farewell. The groove is infectious, the improvisation masterful, and the ending satisfying—a perfect bookend to this sonic adventure.
With Just for Kicks, Adam Edgemont delivers a stunning jazz fusion EP that’s technically brilliant, deeply melodic, and refreshingly original. It’s a journey that is worth taking again and again.
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