20 000 Years & Still Going Strong, a Modern Rock‑Opera

“Stunned” is the best word to describe how I looked when I first listened to 20,000 Years & Still Going Strong by Computer Nerd. From the first minutes, it is clear that this is not just a rock album, it is a full-on rock opera. Amazing riffs, impressive harmonic progressions, complex rhythmic and textural structures, and above all, a storyline that actually drives the music.

Spanning over 55 minutes and eight thorough parts, the album unfolds like a single dramatic arc rather than a collection of separate tracks. Set in a new Ice Age after humanity has surrendered to artificial intelligence, it tells the story of an immortal man haunted by past loves, forced to choose between the safe illusion of an AI companion and the risk of real human connection. The concept is futuristic, but the emotional core is deeply human.

One of my old-time favorite bands has always been Therion. While Computer Nerd is not symphonic in the same sense, there are clear ties between the two, rock music built around narrative, music where the story is not decoration but foundation. That same sense of purpose reminds me of great musicals like Sweeney Todd by Stephen Sondheim and The Phantom of the Opera by Andrew Lloyd Webber. Not stylistically, but structurally, the grandeur, the recurring emotional weight, the feeling that every musical decision serves a dramatic intention. This album has that kind of ambition.

20 000 Years & Still Going Strong, a Modern Rock‑Opera

I will admit that there are moments where you can hear the independence of the production. At times the mix feels slightly limited; occasionally a vocal note does not land with absolute precision. But creating a project of this scale requires enormous energy, time, and money. An independent production will never sound exactly like a massive high-budget studio release, and that is understandable. More importantly, that is not where this album’s real strength lies.

As a classical musician, what fascinates me most is composition, and here the composition is genuinely impressive. The harmonic language is bold. The rhythmic shifts are intentional. The textures evolve in service of the narrative. Themes feel constructed, not improvised. There is architectural thinking behind the music. I can honestly see this level of compositional ambition among much bigger names.

There are moments throughout the album that hint at different influences. Some guitar solos echo the expressive phrasing of Andrew Latimer from Camel. Certain arrangements and textures carry the cinematic density reminiscent of Les Friction. At times, the vocal intensity recalls Roger Waters, that almost shouted, emotionally charged delivery that pushes the narrative forward. And of course, the narrative-driven structure connects again to the tradition of large-scale musicals. Yet despite these echoes, the album maintains its own identity.

The originality is there, in the story clearly written for a contemporary audience, in the melodic lines that avoid cliché, in the sudden harmonic changes that feel modern and relevant rather than nostalgic. These are musical decisions that only make sense in today’s emotional and cultural climate. The album has its own voice.

What I appreciate most is that beneath the epic scale, the work remains human. In a time when artificial intelligence is increasingly part of our creative landscape, this album questions comfort, illusion, and authenticity. It asks whether safety is worth sacrificing vulnerability. That alone makes it relevant.

20,000 Years & Still Going Strong is not casual listening. It requires attention. It rewards patience. It grows stronger with repetition. Ambitious rock operas are rare today, especially independent ones, and when they appear with this level of compositional depth and narrative courage, they deserve to be taken seriously.

If you believe in ambitious, human-made art in an age of algorithms, support this remarkable production by purchasing the physical edition or the digital album and becoming part of its journey.


Credits

Computer Nerd (Chris James Bush) — words & music, additional vocals, keys, editing
Burke Hutchinson — vocals (“Eternal”)
Yannie — vocals (“Memory” / “FUTRA®”)
Murphy Aucamp — drums
Josh Uguccioni — bass
Franco Vittore — guitar
Miles Wilkins — keys
Daniel Sadownick — percussion
Jessica Greenfield — additional vocals
Daniel Berkey — tenor sax
Raymond Klassen — dobro

Colin Mohnacs — recording
Owen Mulholland — editing, mixing, additional recording
Scott Hull (Masterdisk) — mastering
Chris Stanton — package design
Anton Vierietin — dancer photography

Produced & published by Future Imperfect LLC.
Recorded at GB’s Juke Joint (Queens), 35th St. Studio (Manhattan), Miles’s house, and additional locations.


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